Director Jack Antoine Charlot’s music video for S+C+A+R+R’s groovin’ dance track features a singular character with some mad dance moves. Because the motion is so incredibly smooth, it’s hard to tell where the CGI animation and live dancer begin and end. Remember, now is a great time to perfect your own choreography at home.
THE BEST Cgi
Paris filmmaker Benjamin Bardou’s experimental short is just one of a series of dreamlike visuals which explore life in a fictitious city known as Megalopolis. In this episode, an unknown intelligence examines the passengers aboard a subway car. You can view more from the series on the artist’s website or Vimeo page.
Computer graphics animator C4D4U was playing around with some digital hair rendering techniques when he came up with this hilariously weird creation. After asking his YouTube followers to name the blue-green, dancing sasquatch, one of them put it best: “When Sullivan finishes his diet.”
This weird and wonderful very short film attempts to answer the question “what kind of food would androids consume, if they needed to eat?” Apparently, the answer seems to be something very colorful and strangely textured. Directed and animated by Lukas Vojir, with music and sound by Resonate for XK Studio.
This beautiful visual treat comes from 3D artist Eidy Knowles and UK musicians Speakman Sound, with vocals by Simo Lagnawi. The inspiration for the track and the music video was a traditional Gnawan song about a spiritual leader and his relationship with the spirits around him.
The Dancing Baby was one of the first internet memes, dating back to 1996. Because everything old is new again, JArmstrongArt decided to update the funky CGI baby to run at 60fps and 1080p resolution. Through some serious sleuthing work, he was able to dig up the original 3D model. Oooga-chaka! (Thanks Rob!)
Velcro is an incredibly useful product. But it’s not exactly the easiest product to make visually interesting. The guys at London’s XK Studio made this happen by creating digital macro images of a burr plant which served as the inspiration for the brilliant simplicity of Velcro’s hook-and-loop design.
Looking for a cool demo to show off your fancy new HDR display? Look no further than this CGI video from self-proclaimed “GPU melter” lotsalote, in which a set of brightly-illuminated pendulums swing back and forth against a dark background. The 4K 60p footage really pops off the screen with its high contrast imagery.
Motion designer Sekani Solomon and a team of talented animators made this brief, but impressive Star Wars fan film, which features an epic battle between a group of stormtroopers and an unknown enemy. The CGI work is as good as any video game cutscene we’ve seen. Sound design by Echoic.
Most of the videos we’ve featured of dominoes being toppled feature real-world objects. But C4D4U’s enthralling domino fall was all created using computer graphics and physics simulation. There’s something incredibly satisfying watching progressively bigger tiles fall over, resulting in a slow-motion tower collapse.
Artist Mike Pelletier’s experimental short film is an incredibly trippy visual created by tossing together a bunch of digital human models, removing their skeletal structures, and then dipping them in virtual paint. If it sounds weird, that’s because it is. We can’t help but think of the part of Terminator 2 where the T-1000 melts.
We’re not quite sure why we find this CGI simulation of noodles being tossed about so satisfying, but we do. Somebody needs to turn this into a video game where the objective is to transfer all the noodles from the bowl to the glass using only that fork. We’d pay at least $1.99 for that game.
Visual artist Kevin McGloughlin teamed up with with musician Max Cooper for this mindbending audio-visual collaboration. Reminiscent of the work of the great Philip Glass, Cooper’s repetitive and driving sounds are reflected in surreal scenes which were digitally copied, tweaked, and pasted to repeat endlessly.
CGI animator Seth Worley shows us how to replicate the creepy Mind Flayer and its accompanying red lightning storm from Stranger Things using Adobe After Effects and a handful of Red Giant’s useful visual effects plugins. Now he needs to make the season 3 version of the monster inside of Starcourt Mall.
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