Awesome Cgi

While teaching himself 3D computer animation, Mike Booth thought it might be fun to practice some techniques by recreating the opening title sequence from the 1980s animated classic ThunderCats. We think he did quite the admirable job. Check out the side-by-side comparison video here. ThunderCats, roar!

Valve’s Source 2 game engine was first used for Dota 2, but most recently powered the stunning Half-Life: Alyx. To celebrate its many capabilities, Corey Laddo put together this amusing tribute video, inspired by the earlier fan clip “Source Makes Me Cry.” More games need High Fidelity 4K Bread.

Daihei Shibata created a series of visual illusions for the Japanese TV program Design Ah!, in which each scene starts off with an ordinary premise, but its outcome is very different than what you might expect. Catch the first two videos here.

While computer graphics are becoming more and more realistic, we appreciate when artists use the medium to create things that are simply outlandish and impossible in the real world. Take, for example, this ridiculously-long and flexible bicycle-built-for-five from Cool 3D World.

(Flashing Lights) A woman takes a walk through a contemporary art gallery, and when she comes across an ordinary fork on display, she imagines the creative potential of the eating utensil and other ordinary objects. Optical Arts’ wild short film is packed with surreal and dynamic CG imagery. Behind the scenes here.

Matt Colglazier and Charles Benevento’s CG animated short film Spark drops us into a factory where robots do all of the work. After one robot is “retired” by some bullying boss bots, one of its components lives on, and brings joy to the warehouse – at least for a little while.

While stuck at home under quarantine, Dylan Woodley decided to put the time to good use and teach himself how to create 3D computer animation. The result of his efforts is a ridiculously primitive, anatomically-incorrect, but somehow still charming character named “Bimpson.”

During the lockdown, the digital artists of Universal Everything imagined what the world might be like if society as we know it ended, and nature took back over the planet. The first of the two infinite-loop vignettes replaces highways with grass and flowers, while the second envisions an airport overgrown with greenery.

(PG-13) Set 100 years in the future, The Seed of Juna envisions a post-apocalyptic world where Earth has fallen to religious fanatics. After being killed on Earth, a young rebel awakens on a strange planet only to face a whole new threat. Filmmaker Álvaro García Martínez envisions his CGI science fiction epic as a multipart series.

Visual effects artist RubenFro creates imaginative 3D worlds. He starts by capturing a point cloud matrix of locales using 360º cameras, then manipulates and renders the dots using a custom shader in Unity, resulting in incredible, ethereal imagery. This footage was captured in the streets of Hanoi, Vietnam.

To show off the rendering and physics capabilities of Razer Blade Studio laptops and their Nvidia Quadro RTX GPUs, the VFX experts at Corridor Crew created three short effects sequences using virtual dominoes. The realistic visuals include dominoes that topple up a wall and a ridiculously huge domino progression.

Director Jack Antoine Charlot’s music video for S+C+A+R+R’s groovin’ dance track features a singular character with some mad dance moves. Because the motion is so incredibly smooth, it’s hard to tell where the CGI animation and live dancer begin and end. Remember, now is a great time to perfect your own choreography at home.

Paris filmmaker Benjamin Bardou’s experimental short is just one of a series of dreamlike visuals which explore life in a fictitious city known as Megalopolis. In this episode, an unknown intelligence examines the passengers aboard a subway car. You can view more from the series on the artist’s website or Vimeo page.

Computer graphics animator C4D4U was playing around with some digital hair rendering techniques when he came up with this hilariously weird creation. After asking his YouTube followers to name the blue-green, dancing sasquatch, one of them put it best: “When Sullivan finishes his diet.”

This weird and wonderful very short film attempts to answer the question “what kind of food would androids consume, if they needed to eat?” Apparently, the answer seems to be something very colorful and strangely textured. Directed and animated by Lukas Vojir, with music and sound by Resonate for XK Studio.

CG artist pedro3dbh’s short film sends us on an epic journey deep within the most mundane of objects, the tip of an ordinary ball-point pen. As the virtual camera zooms deeper and deeper into its structure, we eventually reach the subatomic level.