Buttered Side Down has been really wishing he had super powers, so he decided to try and give himself some abilities using ordinary kitchen appliances, a fax machine, and stuff he had lying around the house. It’s clear that his VFX skills far exceed his superhero skills.
Among the imaging technologies shown off at Adobe MAX 2017 was this tool which works kind of like Content-Aware Fill, but for video. It’s designed to easily remove unwanted objects from moving images. We’re hoping to see this feature in Premiere or After Effects soon.
Alternative band The Academic used the slight delay in Facebook Live’s video streaming to record and remix their song Bear Claws on the spot. By showing their stream on a screen while they were streaming, they were able to play along with their past selves.
We were really wondering how director Max Ksjonda created the mindblowing visuals in his clip Samoliot for the group 5’Nizza. Well, now we have the answer – it was mostly done in camera, with amazing prop work and rigging which was later cleaned up in post-production.
(Spoilers) VFX house El Ranchito shares some sweet behind-the-scenes footage and effects shot breakdowns for Game of Thrones’ Season 7 penultimate episode, Beyond the Wall. That shot with the bony walker from behind is one of our favorite visuals of the entire series.
The always educational Captain Disillusion takes a break from debunking viral videos and questionable crowdfunding to kick off a new series about the masters of visual effects. The first episode looks at the ahead-of-their-time visuals in the Back to the Future trilogy.
There are millions of trick shot videos on YouTube (and we’ve featured our share of them.) Now, Captain Disillusion is here to burst our bubble – and all of those basketballs, footballs, tennis balls, and golf balls, as he shows us some of the tricks of the trade.
Vehicle maker Honda and a team of talented artists pay tribute to the creativity and effort that goes into the production of modern motion pictures, peeling back the layers of the visual effects onion, and reminding us how little of what we see on screen these days is real.
Captain Disillusion takes on yet another internet myth – this time its the guy who claims to be able to aim his tape measure with the precision of a crossbow. With the help of a fan, he yet again illustrates how VFX, camera angles, and editing can make anything believable.
(Gore) Kaptainkristian highlights what David Fincher so deftly hides: the director’s extensive use of CGI and other digital effects in his films. From the Winklevoss twins to digitally perfected hair, Fincher stealthily bends reality in service of the story.
While we don’t normally think of Saturday Night Live for its visual effects, the show actually requires quite a few of them these days. Take a look at some of the work their VFX artists must deliver under the gun each week, often with less than 12 hours before airtime.