There are real-world treatments for acne sufferers, but if you’re looking for a virtual solution, check out this demo from Rousselos Aravantinos, who shows us how he dramatically improved a model’s skin using visual effects, preserving all the proper shadows and light.
By now, just about everyone on the internet has seen the video of the Plinko-like machine that appears to magically sort thousands of colored marbles neatly into a rainbow. We always figured it was fake, and now Captain Disillusion explains how he thinks it was done.
Most of the footage of SpaceX’s rockets are shot from far away, with little to no context to their size. Corridor Crew thought it would be nice to stack them up next to buildings so we can appreciate just how amazing it is that these babies can land and be reused.
Wired spoke with Method Studios’ Visual Effects Supervisor Daryl Sawchuk for a glimpse at how the company made the visual effects for Black Panther‘s suits as well as the climactic battle. It never ceases to amaze us how much of movies these days are CGI.
Captain Disillusion takes on another seemingly impossible viral video, though it takes him at least 37 seconds before he’s able to figure out how motion artist Kiyan Forootan pulled off the illusion of a see-through dancing character. Basically, Kiyan is a computer graphics master.
Whether or not you’re an Apple fan, you’ve got to appreciate the amazing creativity in director Spike Jonze’s “Welcome Home” promo spot for the tech giant’s new HomePod speaker. We’re dying to see a BTS of how they pulled off all the stretchy practical effects.
There’s a lot of talk about the performances in Craig Gillespie’s dark comedy I, Tonya, but the film wouldn’t be what it was without the skating scenes. Here’s an inside look at the effects work from Eight VFX, who helped make it look like Margot Robbie was an olympic athlete.
We’ve seen how they made some of the eye candy in Blade Runner 2049, but this 10-minute clip from VFX house Framstore offers a plethora of effects breakdowns from Denis Villeneuve’s science fiction spectacular, from close-up character work to giant CGI set pieces.
Remember that video of the cheerleader who looked like she stepped over a non-existent box? There’s nothing to debunk here according to Captain Disillusion, so instead, he shows those of us without the strength and balance how to fake it with VFX anyway.
MPC VFX presents a look at the work that went into recreating Sean Young’s replicant Rachel in Blade Runner 2049. The incredible illusion was created using reference images from the now 58 year-old actress, combined with a younger performer, and state-of-the-art CGI.
The movie Downsizing might have come up a little short in both its reviews and box office take, but it did succeed in the VFX department. Here, the film’s effects supervisor Jamie Price walks us through the history of shrinking people down on the big screen.
Directed by Christian Rivers, the visual effects artist behind King Kong, and produced by Peter Jackson, comes a post-apocalyptic Earth in which humanity turns to living inside of moving vehicular cities, attacking and gobbling up smaller towns to steal resources for survival.
A group of friends finds out that the old “the floor is lava” saying has actually come true in their apartment, and they must navigate the fiery floor to try and escape from certain doom. A fun and well-executed VFX romp from our old pals at RocketJump. Making of here.
(PG-13: Lyrics) The first thing you’ll notice about MGMT’s music video is that it stars Alex Karpovsky, best known for his role as Ray on Girls. But that’s not the only highlight of the clip. It’s the trippy “style transfer” VFX, which have been empowered by machine learning tech.
Before the characters we know and love first emerged on movie screens, there were other conceptual incarnations created by George Lucas and artist Ralph McQuarrie. The DAVE School envisions what the first movie might have looked like had those early ideas stuck.