The guys from Corridor have a little fun with shadowplay in this clip about a couple of graffiti artists who get more than they bargain for when they try to tag the wrong building. TL;DW: kids, don’t use spray paint.
While we don’t normally think of Saturday Night Live for its visual effects, the show actually requires quite a few of them these days. Take a look at some of the work their VFX artists must deliver under the gun each week, often with less than 12 hours before airtime.
A report on the plight of visual effects artists. While a single actor can get millions of dollars for a film, VFX studios compete with each other for fixed bid contracts that often end up being unprofitable because of additional expenses from costly revisions. More here.
Want to stage a massive battle, fill an empty stadium, or take on a zombie horde? There was a time that you’d need thousands of extras to pull off such epic scenes, Golaem shows us some of the ways their software has been used to make movie, TV, and video game magic.
These days, much of what we see on screen wasn’t there at the time of filming. This short video by Roy Peker explains how techniques such as green screen, rotoscoping, matchmove, CGI, and color grading can place actors and objects anywhere without ever being there.
McClatchy Video Lab’s documentary explores one of the nastiest secrets of the movie business, that visual effects studios and artists are often forced to work ridiculous hours, often at fixed bid pricing to meet unrealistic demands of movie studios. Premieres online on 2/22/17.
CaptainDisillusion is getting so good at debunking, he’s now tackling two lies in a single short video. The cup levitation trick is easier to do, but at least you know it’s a trick. The train track near miss video on the other hand leverages realism for views.
These days, we’re accustomed to such seamless and realistic visual effects on the big screen and even some TV series that we’ve become pretty jaded by CGI. But one look at Diane Bullock’s reel of 1990’s movie VFX should serve as a reminder of just how good we’ve got it today.
At first glance at the crazy flying lounger in this video, we figured it was the work of Colin Furze. Sadly, the awesome hovering hammock is just a well-executed VFX trick in a commercial for Dutch insurance company Centraal Beheer. All we can say is: Your move, Furze.
We had high hopes for Gareth Edwards’ 2014 Godzilla, but it had far too little destruction for a Kaiju flick. Japan’s Shin Godzilla makes up for that in spades, as is clear from this VFX reel from Shirogumi and StealthWorks, set to a soothing ambient soundtrack.
Corridor got their hands on a prototype of the year’s most hotly anticipated new toy, the Anki Cozmo Robot, and sent him on a mission to take on an army of angry machines, a couple of which happen to come from Anki’s biggest competitors. Behind the scenes here.