Just because something is a commercial doesn’t mean it can’t be a work of art. This clip from director Henry Scholfield and Mathematic Studio for Indonesia ride hailing and tech company Gojek is proof positive of that. For all 60-seconds the clip is on screen, it will fill your eyes with magical, VFX-powered sensory overload.
It’s been a while since we checked in with the guys at SoKrispyMedia, with their last Chalk Warfare video debuting back in 2014. Now, they’ve drawn their chalk weapons once again, and headed back to the battlefield to give us their most epic action and VFX sequence yet. We loved the R/C car and gravity gun made out of chalk.
The best part of setting up dominoes is knocking them all over once you’re done. But what if dominoes were much, much bigger? The guys from Corridor put their visual effects skills to the test once more by creating an enormous set of virtual dominoes that could crush a human like a bug. Behind the scenes video here.
Among his many talents, musician Jacob Collier is known for his multitrack music videos. While quarantined at home, he and his three identical (virtual) twins performed this stellar NPR Tiny Desk Concert that showcases his diverse musical skills through three smooth and enveloping tunes.
TV news channels, YouTubers, and even blockbuster movies us green screens to place people in alternative locations by removing their background and replacing it with another. Tom Scott explains why it’s challenging to get a really convincing background swap, and how the effect is really easy to spot when done badly.
Phil is a skeleton. He quickly rose to fame on the big screen as a stop-motion superstar. Then, modern effects put him out of business. Michael Shanks’ (aka “timtimfed“) charming short film is a fun blend of live-action, animation, and VFX, and a loving tribute to the great Ray Harryhausen. Behind the scenes here.
To show off the rendering and physics capabilities of Razer Blade Studio laptops and their Nvidia Quadro RTX GPUs, the VFX experts at Corridor Crew created three short effects sequences using virtual dominoes. The realistic visuals include dominoes that topple up a wall and a ridiculously huge domino progression.
Anyone who lived through the 1990s can tell you that watching movies on videotape was a decidedly lower quality experience than today’s HD and UHD technologies enable. Tom Scott met up with the team from Red Giant to learn how their software can make modern footage look like it was recorded on VHS.
These days, if you want to destroy a city in a movie, you do it all with computer graphics. But back in the day, it was done with practical effects and miniatures. Check out this footage from the 1933 disaster movie Deluge, in which models of countless New York City buildings are demolished by a massive tidal wave.
We like all kinds of donuts: glazed ones, cake ones, and ones made by rear-wheel drive cars. This brief clip combines both the circular fried treat and circular tire tracks through a slick composite of drone footage and digital VFX. Created by Benoit Finck, John Bashyam, and Yann Bouloiseau for Warm & Fuzzy.
Being in a car crash can be quite terrifying. But what might crashes be like if other cars were invisible? With a little visual effects trickery, Donato Sansone created this surreal sequence of car crash footage, in which one of the involved vehicles was digitally removed from the scene.
As much of the world is staying home to help reduce the spread of COVID-19, we’re all looking for things to do while we’re not going out. UK creative guy Rob Wakefield is having no trouble keeping his mind entertained while he self isolates, and took a little of his time to create this amusing little clip.
(PG-13: Language) Filming things against a green screen and then replacing that area with digital images has become the norm in visual effects shots. But with the dramatic improvements in rear-projection tech perfected on The Mandalorian, Mr. Sunday Movies wonders if that could spell the end of the long-standing chromakey technique.
One of the world’s leading shops for practical visual effects is Wellington, New Zealand’s Weta Workshop. If you need creatures, miniatures, vehicles, weapons, robots, or just about anything else, they’re your guys. Their 2020 reel showcases just a handful of their many incredible visual accomplishments over the years.
Gareth Smith & Jenny Lee’s enchanting video observes Los Angeles from a new perspective. Watch in awe as dancer-choreographer Jason Chong appears to dance across the city’s overhead power lines. Now before you go calling the power company, the illusion was done using VFX trickery by Smith and Theo Alexopoulos.
ILM takes us behind the scenes of The Mandalorian to see how visual effects tech developed with Epic Games are used to create the series. Rather than shoot on location or in front of a green screen, the series uses a gigantic, wraparound screen to surround actors with digital scenery which can move in sync with a camera.
YouTuber Misozi-Salaryman put together this great compilation of his swordplay and other martial arts action, and worked with editor Vasco to embellish the clip with appropriate video game style visual effects. We like to think there was some guy off camera mashing buttons.
Everyone knows atoms are really tiny. But just how small are they? After putting the scale of the universe in perspective, Wren from Corridor Crew channels his inner Vsauce, illustrating the relative size of atoms, quarks, molecules, and cells by scaling them up to something a bit easier to comprehend.
Visual artist Kevin McGloughlin teamed up with with musician Max Cooper for this mindbending audio-visual collaboration. Reminiscent of the work of the great Philip Glass, Cooper’s repetitive and driving sounds are reflected in surreal scenes which were digitally copied, tweaked, and pasted to repeat endlessly.