Jonathan Robert & Gabriel Favreau’s animated music video for Quebec band Corridor takes us on a wild trip through a fantastical structure filled with elevators, staircases, cable cars, and other vertical conveyances that all lead towards an almighty computer that controls man and machine.
The organic, kaleidoscopic imagery in animator Hideki Inaba Kanahebi’s music video is about as intricate as it gets. The colorful and repetitive images of nature and its interconnections serve as the perfect setting in which to enjoy Canigou’s smooth and relaxing ambient track.
Visual artist Kevin McGloughlin teamed up with with musician Max Cooper for this mindbending audio-visual collaboration. Reminiscent of the work of the great Philip Glass, Cooper’s repetitive and driving sounds are reflected in surreal scenes which were digitally copied, tweaked, and pasted to repeat endlessly.
When it comes to Wayne Coyne and The Flaming Lips, we’ve come to expect the unexpected… This track from King’s Mouth is a story of a giant tot with a love for outer space, packing fat beats, analog squeals, and a psychedelic music video with special guest Fred Armisen. The album cut includes narration by Mick Jones of The Clash.
(PG-13: Lyrics) Ain’t nuthin’ to it, but to do it. The DADS‘ delightful music video brings back memories of the Spike Jonze/Fatboy Slim/Christopher Walken collaboration on Weapon of Choice, and that’s a good thing. Sit back and enjoy as an ordinary guy breaks out his best dance moves to the infectious grooves of DJ Dillon Francis.
Visual artist Nick Cobby combined amazing top-down drone footage with abstract digital art to create the hypnotic video for Max Cooper’s Perpetual Motion, an audio-visual piece commissioned by London’s Barbican Centre. The work transforms the movements of people into ever-changing geometric patterns.
Michel Gondry’s music videos, TV shows, and films deftly combine humor, childlike whimsy, and in-camera effects to entertain our brains. In this clip from Polyphonic, essayist Noah LeFevre explains how Gondry’s background as a percussionist has influenced his work through rhythmic, repetitive, and redundant imagery.
Perhaps inspired by the LEGO railway work of BananenBuurman, filmmaker Ewan Jones Morris takes us on a thrilling one-shot, POV ride, engineered by LEGO expert builder Gary Davis. Anna Meredith’s engrossing instrumental track serves as the perfect accompaniment to the precision-timed train ride.
In POLY|C’s vibrant music video for Lusine’s smooth electronic track Not Alone, a young engineer works on an neural interface which transports her to a mysterious virtual world. But the lines between the real and imagined worlds blur the deeper she journeys. From the EP Retrace and featuring vocals by Jenn Champion.
(Gore) Director Ansel Wallenfang’s awesome music video for metal band Red Fang’s track Antidote looks like a level from a 16-bit video game, is packed with retro gaming tropes, and culminates with one of the greatest boss fights of all time. We so want to play that van beatdown level.
The video for Said the Whale’s alt-pop track Record Shop is noteworthy for the way its animations were produced. The video was created by spinning 129 vinyl records – each covered with a custom sticker, and syncing up the camera to produce an effect similar to a phenakistiscope. From the album Cascadia.
(Flashing Images) Filmmaker Páraic McGloughlin’s abstract music video serves as the perfect complement to the driving rhythm and headphone-worthy sounds of Weval’s track Someday. The imagery and sounds reflect the fragility of our planet, and humanity’s desire to hold on.
Giangrande’s inspiring folk track Free to Roam is complemented beautifully by Gianluca Maruotti’s stop-motion music video. The claymation imagery was created using with the scenes playing out against a flattened backdrop. Be sure to watch the behind the scenes video too.
The latest track from The Chemical Brothers‘ album No Geography features the intense, driving electronic beats we’ve come to expect, accompanied by inspiring vocals, and a music video about a dog who first learns to drive race cars, then pilot a rocket ship.
The stop-motion music video for Said the Whale’s pop track features a meticulously planned and edited sequence of 2250 still photos which were sequenced to create the illusion of motion within the frame. It took a team of 6 over 80 hours to put together the clip.
“Time can’t wake your frozen heart… With an ocean in between us, we can only row so far.” Gin Blossoms teamed up with storm chasing photographer Chad Cowan for the visuals to accompany the brilliant poetry of their latest single. From the album Mixed Reality.
YouTuber t.p. took animator Guy Collins‘ amazing Kaizo Trap video, and reworked it with a fresh electronica soundtrack that fits perfectly with the protagonist’s challenging journey into a platform video game world. Even if you’ve seen the original already, it’s worth a rewatch.