The stop-motion music video for Said the Whale’s pop track features a meticulously planned and edited sequence of 2250 still photos which were sequenced to create the illusion of motion within the frame. It took a team of 6 over 80 hours to put together the clip.
“Time can’t wake your frozen heart… With an ocean in between us, we can only row so far.” Gin Blossoms teamed up with storm chasing photographer Chad Cowan for the visuals to accompany the brilliant poetry of their latest single. From the album Mixed Reality.
YouTuber t.p. took animator Guy Collins‘ amazing Kaizo Trap video, and reworked it with a fresh electronica soundtrack that fits perfectly with the protagonist’s challenging journey into a platform video game world. Even if you’ve seen the original already, it’s worth a rewatch.
(Flashing Images) The trippy texture-mapped environments of the video for Aphex Twin’s latest track is the perfect accompaniment to the driving, syncopated, electrofunk beats that seem at once both chaotic and meticulously planned. From the upcoming EP Collapse.
Directors Fred & Annabelle created of the most slickest music videos we’ve seen in a while. Thousands of nondescript characters face off at a city intersection, while DJ Chinese Man keeps the beat going from the tallest amp stack we’ve ever seen. From the album Shikantaza.
(PG-13) A man gets massive amounts of attention heaped upon him when he gets a new and adorable pet with a unique talent in Simon Cahn’s hilariously offbeat music video for DJ Boston Bun’s and DVNO’s catchy dance track about spreading love like a Paddington Bear.
(Spoilers) This music video from the band GUNSHIP serves as a wonderful tribute to the characters in Ready Player One, as told through 16-bit pixel art. The band is also giving away a custom arcade cabinet if you can figure out the secrets hidden in the video. (Thanks Lee!)
It’s too late for a revolution… Brace for the final solution. The title track off of the upcoming Muse album Thought Contagion feels kind of like a dark sequel to the events of Uprising. The track features a great music video dripping with ’80s style and pop culture references.
Directors Greg&Lio shot this video for French musician OrelSan, which features a seemingly endless cast of characters for the rapper to march through. The smooth tracking shot was captured using an expertly piloted drone. The subtitled version has a little bonus at the end.
A fantastic new remix of the classic Queen track All Dead, All Dead, created from a raw session of Freddie Mercury’s lead vocals – which didn’t appear on the album – and the instrumentation from 1977’s News of the World. Pre-order the amazing 40th anniversary box set now.
Alternative band The Academic used the slight delay in Facebook Live’s video streaming to record and remix their song Bear Claws on the spot. By showing their stream on a screen while they were streaming, they were able to play along with their past selves.
Dave Grohl directed the bipolar music video for Foo Fighters’ latest track – a clip which stars the members of the band rocking a retirement home, aged to look how they’ll look if they keep performing for another 30 years or so. We love the Thriller-esque choreography at the end.
(Flashing images) “JVC is nice; I’ve been around Japan; It’s electronic, calls me Viktor; High on the scales, off the Richter.” Director Kris Merc’s dope visual feast is the perfect complement to hip hop legends Kool Keith and MF Doom’s track about a rapper with super powers.
Film Radar digs into the techniques that director Michel Gondry used to create The White Stripes‘ most classic videos. Gondry’s sense of whimsy and effective use of simple visual effects were the perfect accompaniment to Jack and Meg’s reductive sound. (Thanks Daniel!)
(Gross) It’s an age old story of a girl falling in love with her one true soulmate – except in this case, her significant other just happens to be creepy alien creature. Oh Yeah Wow’s video for Millington’s jangly love song starts out silly, and ends like a horror film.
(PG-13: Gore) Since we don’t speak Russian, we don’t understand what the song is about, but the sheer insanity of the events that play out make this one of the wildest music videos we’ve seen. The clip was directed by Ilya Naishuller (Hardcore Henry and The Stampede)
“Here, there’s no music here. I’m lost in streams of sound. Here, am I nowhere now? No plan.” Tom Hingston’s music video for one of Bowie’s final tracks will pierce you to the core, its static-filled screens where Ziggy, the Thin White Duke, and Bowie’s other personas once appeared.