“Here, there’s no music here. I’m lost in streams of sound. Here, am I nowhere now? No plan.” Tom Hingston’s music video for one of Bowie’s final tracks will pierce you to the core, its static-filled screens where Ziggy, the Thin White Duke, and Bowie’s other personas once appeared.
The latest from video maestros OK Go starts off with a bang, making a destructive mess in its first 4.2 seconds. The rest of the video is simply those same 4.2 seconds shown in super slow-motion, revealing numerous details you surely missed the first time around. BTS here.
Singer/songwriter Tom Rosenthal’s track tells the story of a very sad man named Bob, and a lizard who ultimately saves his life. The tale of hope is perfectly complemented by a Wizard of Oz-esque transition from black and white to colorful worlds by animator Dave Anderson.
“I’m the World Ender, baby, and I’m back from the grave… They can run for their lives but they cannot be saved.” We got a serious No Country for Old Men vibe from Ariel Vida’s sinister music video for Lord Huron’s vengeance-filled, ’50s surf music influenced track.
Jeff Lynne has continued to produce and create music since the heyday of Electric Light Orchestra, and he’s still got it. His latest single is a reflection on his own childhood dreams, and Warren Fu’s video is a love letter to Lynne himself. From the album Alone in the Universe.
(PG-13: Language) Even if De Staat’s intense track isn’t your musical cup of tea, Studio Smack’s mindblowing music video will pull you in and won’t let go. The low-budget video was made with mo-cap and CGI trickery. We haven’t felt this way since seeing Mad Max: Fury Road.
Director Ninian Doff’s video for The Chemical Brothers’ new track works as a brilliant standalone work of science fiction, leaving us wanting to know so much more about this dystopian world that lives somewhere between Mad Max, The Walking Dead and Westworld.