The Shift
It’s 1964. Joe comes home after a hard day’s work, but his wife doesn’t greet him at the door, and dinner isn’t ready yet. Francesco Calabrese makes great use of color and props in this dark subversion of domestic life.
It’s 1964. Joe comes home after a hard day’s work, but his wife doesn’t greet him at the door, and dinner isn’t ready yet. Francesco Calabrese makes great use of color and props in this dark subversion of domestic life.
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