Danny Boyle’s new film starts out like 28 Days Later – with its protagonist out cold, waking up to a strange universe. But instead of zombies in London, he discovers he’s the only one who knows The Beatles. Naturally, when he sings, everyone thinks he’s a brilliant songwriter.
Based on a short story by Cixin Liu, the big budget Chinese sci-fi film The Wandering Earth sees the Sun dying. Humans build massive engines to fly the entire planet to another star. But disaster strikes when the engines shut down, and collision with Jupiter is imminent.
In Jared Lee’s intriguing short film, the job of grim reaper is held by everyday Joes. As one of these soul collectors gets used to his gig, he starts having strange dreams which may provide clues to the demise of his clients. The post-credits scene clarifies the twist in case you missed it.
It’s the year 2028, and while the world goes about its business, a system basically eradicates all knowledge of 20th century pop culture. Tom Scott explores one of the negative possibilities of artificial intelligence run amok in his own 6-minute episode of Black Mirror.
(PG-13: Language) In Sebastian Egert’s sci-fi/comedy short, a man attempts to order a pizza that goes outside of the boundaries of the actuarially-predetermined corporate constructs of the future. The most disturbing thing about his dystopian world? Mayonnaise on a pizza.
Back when science fiction was considered pulp fiction, art directors and artists had the freedom to run wild with the cover art for sci-fi books. Nerdwriter pays homage to some of these notable people and their work, and reminds us to have a greater appreciation for cover art.
A sci-fi thriller set in the not-too-distant-future, about a group of people recruited to help relocate humanity to one of Saturn’s moons when Earth is doomed. But in order to survive the mission, the humans must evolve at an unnatural pace. Drops 3/30/18 on Netflix.
(Spoilers) Science fiction often relies on the idea that robotic uprisings come from androids gaining human-like emotions. Trekspertise provides their thoughts on why Westworld’s approach is more compelling and believable in this excellent video essay.
The 1960s sci-fi adventure series gets a modern update. Netflix reintroduces the Robinson family as they crash land on a strange planet on their way to establish a new space colony. We don’t usually love reboots, but this one looks intriguing. DANGER WILL ROBINSON!
A duo of trailers for a new animated sci-fi series about an astronaut and his unusual sidekick, who find themselves on journeys to discover the mysteries of the universe. The show features voicework from Fred Armisen, David Tennant, Steven Yeun, and Tom Kenny, among others.
Since the robots in science fiction are just that, fictitious, MetaBallStudios’ could just have made up any measurements they wanted for their latest comparison video and we’d believe them. Regardless, it’s still cool too see just how much bigger Megazord is than R2-D2.
This Netflix sci-fi series envisions a future in which consciousness can be uploaded into other bodies, allowing humans to survive physical death. The story kick off as a soldier is brought to life after 250 years by a wealthy man who wants answers to his own murder.
Natalie Portman and Jennifer Jason Leigh star in this creepy sci-fi film about an isolated landscape where every attempt at exploration results in the demise of its visitors. Based on Jeff VanderMeer’s Southern Reach Trilogy, and directed by Alex Garland (Ex Machina).
“This is just a body. It’s not bad or good – that part’s up to you.” Christoph Waltz, Jennifer Connelly, and Mahershala Ali star in this live action adaptation of the cyberpunk manga Battle Angel Alita. It’s about a cyborg who is resurrected and becomes a bounty hunter.
ArtStation is an online community for professional visual artists. The site has set up a publishing arm, and this is their first book. Project 77 features the dystopian sci-fi world of ArtStation member Martin Deschambault, enriched with short stories by Jeffrey Campbell.