Jamstik’s new smart guitars offer portability for both pros and newbies. The Jamstik7 is perfect for beginners – it has 7 frets and works with Jamstik’s educational apps. The Jamstik12 is a 12-fret smart guitar with low latency, palm mute sensing and MIDI compatibility.
Artist, designer, and musician Tim Alex Jacobs or Mixtela shows off one of the coolest business cards ever. His custom-designed card has a built in printed circuit board and metallic keys that serve as a tiny stylophone-style MIDI controller when plugged into a USB port.
IK Multimedia proves you don’t have to be big or expensive to create fat analog sounds. Their portable synth costs less than $200, and features a pure-analog audio path with 2 VCOs, noise generator, resonant multimode VCF and VCA, MIDI, and a 27-note multitouch keyboard.
With the right synth patches, bass, brass section, and recording talent, Doctor Mix shows us how its possible to replicate the distinctive sound of Michael Jackson’s 1984 mega-hit Thriller incredibly well. Even with the King of Pop’s vocals gone, it’s an amazing performance.
Joué is an incredibly versatile MIDI controller, thanks to its swappable modules. The modules’ buttons are made of soft and elastic material that responds to pressure very nicely. There are eight modules to choose from, some familiar and some quite unorthodox.
Software engineer Kanru Hua shows off an impressive application he’s currently working on – a synthesizer that can emulate different vocal styles and sing in multiple languages. It shows quite a bit of promise, and could take on the big dogs like Vocaloid and CeVIO.
If there was one new sound that turned up more than any other back in ’80s music, it was the Yamaha DX7 and its cutting-edge FM synthesis. Polyphonic explores what made the DX7’s sound and tech unique, and some of the many artists who incorporated it in their music.
We already know that a rubber chicken can be used to make music. But Andrew Huang amped things up with Hexinverter’s mutant rubber chicken that uses compressed air to allow it to be played electronically. This is some serious mad scientist sh*t. Crazy sounds start at 1:59.
The latest creation from the analog synthesizer greats at Moog, the semi-modular DFAM (or Drummer from Another Mother) is designed specifically to create distinctive rhythmic sounds for use as the backbeat to electronic music tracks. Listen to sample tracks here.
Bell Tone Synth Works provides a look inside a keyboard that predates the digital sampler. The Mellotron used multiple strips of magnetic tape to play sounds recorded from other musical instruments. The M400 shown here is from the 1970s, but you can see an earlier model here.
The Royal Institution shares a 1985 lecture by professor David Pye as he shows off a vintage analog device which allowed a skilled player to synthesize sounds that approximated a human voice. He then showed off what was then state-of-the-art electronic speech synthesis.
Animator Eran Hilleli shows off an awesome work-in-progress system which allows him to animate the movements of a character using a series of faders and knobs, not unlike a sound mixing console. The system is based on code by keijiro takahashi. We want this now.
Spectrasonics spent 10 years refurbishing, tuning, and capturing the sounds of some of the world’s greatest pianos, organs, and synths, and collected them into a digital library you can play with a MIDI keyboard and a computer. If it’s good enough for Stevie Wonder…
A nifty noisemaker for electronic musicians, the softPop’s analog brain makes a virtually endless variety of sounds. Its semi-modular design means you can modify sounds not only with its sliders, but via a patch bay. It can also process external sounds through its filters.
2BTruman demonstrates his custom-built synth, which looks like something off of a starship’s bridge. The system is powered by a Mac Mini, Ableton Live and Analog Lab, but the custom interfaces make it truly one of a kind. You’ve gotta check out the epic power-on sequence.