Musician Luna Lee’s latest cover seems especially well suited to being played on the gayageum – the vibrato sounds of David Bowie’s The Man Who Sold the World just seem to flow perfectly from the strings of the classic Korean instrument.
“Here, there’s no music here. I’m lost in streams of sound. Here, am I nowhere now? No plan.” Tom Hingston’s music video for one of Bowie’s final tracks will pierce you to the core, its static-filled screens where Ziggy, the Thin White Duke, and Bowie’s other personas once appeared.
Elefante Sessions presents a wonderfully different cover version of David Bowie’s classic The Man Who Sold the World, performed by Orquesta Raiz, a dynamic group of musicians with roots around the globe, and a Brazilian influenced sound. More great music here.
Wayne Coyne and gang play to a church filled with balloon audience members in the video for this David Bowie cover, which embraces the sort of enigmatic performance that itself would not exist if it weren’t for Bowie himself. A fitting tribute to the master of theatricality.
Rip Van Winkle Michael Stipe dropped by The Tonight Show to turn in a haunting performance of the David Bowie’s 1970 classic in advance of The Music of David Bowie charity concert slated for NYC on 3/31 & 4/1/16. The 4/1 concert will be streamed live.
There’s no question the ethereal, theatrical, enigmatic style of The Flaming Lips owe quite a bit to the fertile ground sowed by David Bowie. At Belly Up, Aspen, they repaid the favor with an eight-song tribute to the Thin White Duke. We only wish we had a direct audio feed.
Artist Butcher Billy created these amazing mashup images, combining Bowie’s musical milestones with pop culture icons. The result is a mindblowing GIF animation, and a series of individual images which we’d love to hang on our wall. Full series on Behance. Prints here.
The extended version of Audi’s big Super Bowl 50 spot is a tribute to the space program, David Bowie, our elders, and awesome sports cars all in one, as a retired astronaut is lost until he gets a chance to drive Audi’s 205mph R8 supercar. Wouldn’t we all like that chance?
Adam Ben Ezra turns in an awesome cover version of David Bowie’s classic, highlighted by his deft upright bass skills, and a fuzzed-out rhythm that breathes new life into the 1970 track. And if you never heard it before, be sure to check out his version of the Dexter theme.