The Great British Bake Off is called The Great British Baking Show here in the U.S. because Pillsbury owns a trademark on the words “Bake-Off.” Captain Disillusion digs into the consequences of this legal battle in the way the show has to be shot, edited, and have VFX applied to modify its contents for Netflix.
Dave Ardito makes short videos inspired by anime. There are lots of fun and energetic clips on his TikTok feed, but this is one of the best examples, a real-life version of Speed-o’Sound Sonic from One Punch Man zooming and ricocheting around a room thanks to some slick editing and VFX.
A crackling fire, advancing a mechanical camera, and a well-struck golf ball are among the most satisfying sounds in the world. Musician Dan Mace recorded and edited together some of these great noises into a soundtrack that’s engineered to be even more satisfying than its individual components.
(Flashing images) Filmmaker Páraic McGloughlin created this mindblowing music video for Monolink’s track The Prey, incorporating the incredible sculpture of artist Tomàs Barceló. Páraic created the dizzying visuals by cutting between similar objects, locations, and perspectives in rapid succession.
Athlete and physical comedian Daniel LaBelle imagines a world where gravity is strictly optional. He edited his slow-motion footage to never show his feet touching the ground, then got his buddies to participate in an even better part two of the series. That bit with the treadmill is our favorite.
(PG-13: Gore) From greenscreen to miniatures to CGI, there are lots of different ways to produce visual effects. Filmmaker and essayist David F. Sandberg reminds us how simple edits can be one of the most effective ways to create illusions on screen and to integrate disparate elements to create a cohesive effect.
Filmmaker Patrick Pierson created this eye-popping visual travelogue that features wild transitions to transport us seamlessly around the globe. He pulled off the trick by replicating the same camera movements wherever his travels took him, including New Zealand, Prague, Paris, Venice, Copenhagen, and many other destinations.
FXItInPost took a famous sequence from A New Hope, and reworked with new footage, clever editing, and VFX to make the battle between Obi-Wan Kenobi and Darth Vader far more thrilling. It’s impressive, but we couldn’t help but think about George Lucas endlessly reworking his classics.
World traveler and filmmaker Brandon Li spent a month in Seoul, Korea capturing images of the vibrant lives of its citizens from all walks of life, deftly transitioning between images of the city’s mix of traditional and modern urban lifestyles. Director’s commentary video here.
Among the imaging technologies shown off at Adobe MAX 2017 was this tool which works kind of like Content-Aware Fill, but for video. It’s designed to easily remove unwanted objects from moving images. We’re hoping to see this feature in Premiere or After Effects soon.