Awesome Michael Jackson

Annie, are you okay? Are you okay, Annie? We’re not quite sure, judging from the sounds of There I Ruined It’s condensed edit of Smooth Criminal, which consists solely of Michael Jackson’s chants, screams, and wails, and none of those pesky lyrics.

The musicians of theFivEquartet perform a lively brass arrangement of Michael Jackson’s 1987 hit track Bad. The instrument they’re playing is called a euphonium – which sits somewhere between a trumpet and a tuba. And how about those dance moves?

Enjoy a little Halloween fun with this not-so-evil version of Michael Jackson’s Thriller played by the Melodica Men, as they ham it up and terrorize y’alls neighborhood with the funk of 40,000 years.

NYC trio Too Many Zooz offers up another dynamic cover of a hit song, this time taking on Michael Jackson’s 1988 track Smooth Criminal. The tune sounds as awesome as ever as an instrumental on brass and percussion.

Musician Luca Stricagnoli wows us with another flawless acoustic guitar performance, this time taking on Michael Jackson’s 1987 hit Smooth Criminal. The only thing cooler than playing it on a a triple-necked guitar would be if Luca could moonwalk at the same time.

Dancer Kamil Szpejenkowski aka SFINKS has some buttery-smooth moves. Watch as he hops out of the car at a red light to perform a mindblowing series of moonwalks and glides that had us convinced he was on roller skates. Seriously, how can you move with such fluidity on the pavement?

YouTube channel There I Ruined It is in the business of messing with popular songs and, well, ruining them by covering them in a totally inappropriate style. Their bluegrass reworking of Michael Jackson’s “Bad” is so wrong that it’s right. We also chuckled at their swing version of Nirvana’s “Come As You Are.”

Musician Kent Nishimura shows off his impressive acoustic guitar chops once more, with a couple of great fingerstyle covers of two very different Michael Jackson tunes, Human Nature, Thriller, Rock with You, and the Justin Timberlake collab Love Never Felt So Good.

Michael Jackson’s 1982 hit Billie Jean is one of the most played music tracks of all time. But we’ve never heard it played almost entirely on one of those springy door stopper things – until now. Musician Beeble recorded a variety of sproingy sounds and edited them together to create this very silly version.

YouTube channel EveryOtherBeat has a single gimmick – removing every other beat from popular songs. Sometimes it works, and other times it’s downright strange. But in the case of Michael Jackson’s Smooth Criminal, the result is simply magical.

It’s close to midnight and something evil’s lurking in the dark… Fortunately, musician Luca Stricagnoli is here to shine his light on it, with a simply fantastic fingerstyle cover version of Michael Jackson’s 1984 megahit Thriller.

Students from Bosnia and Herzegovina music school JU muzička škola Prijedor turn in an energetic performance of Michael Jackson’s 1983 classic, played on more than a dozen accordions. Just one question: are these kids all agents for the Men in Black?

Musician Peter Bence previously wowed us with his cover of Queen’s Don’t Stop Me Now. Now, he’s back to blow us away with an incredibly energetic version of Michael Jackson’s Beat It, performed on the grand piano, with the help of some looping and effects pedals.

The last time we checked in with the talented young Feng E, he was entertaining audiences in the park. Now he’s wowing us from the back seat of a car, and asking Annie if she’s okay with a fantastic ukulele cover of Michael Jackson’s Smooth Criminal.

Electronic musician Scandroid presents his take on Michael Jackson’s Halloween classic Thriller, applying his synthwave style to the track, along with a great ’80s-look music video, complete with a trio of awesome dancing robots.

We can pretty much guarantee that you’ve never heard Michael Jackson’s Billie Jean quite like this. Sit back, relax, and enjoy a beautiful cover version played on the sitar by musician Ronobir Lahiri, who gives the King of Pop’s megahit a whole new vibe.

Michael Jackson truly lived up to his “King of Pop” nickname. Nerdwriter1 looks back on the musical mastermind, and attempts to deconstruct what made his tunes so popular. As we previously learned, repetition and variation in rhythms had something to do with it.

The guys from Pomplamoose are back with another great mashup, this time combining Michael Jackson’s Billie Jean, Justin Timberlake’s Can’t Stop the Feeling, and The Weeknd’s Can’t Feel My Face into a single seamless track. It’s basically the live equivalent of a dance mix.

Leo Moracchioli intensifies Michael Jackson’s already taut pop-rock track by infusing the 1987 mega-hit Smooth Criminal with his trademark blend of gravely, headbanging heavy metal that puts Alien Ant Farm’s rock cover to shame.

DJ Cummerbund smashes up Michael Jackson’s classic The Way You Make Me Feel with Childish Gambino’s This Is America, yet again deftly melding two very different songs with very different meanings into something totally new and refreshing.

With the right synth patches, bass, brass section, and recording talent, Doctor Mix shows us how its possible to replicate the distinctive sound of Michael Jackson’s 1984 mega-hit Thriller incredibly well. Even with the King of Pop’s vocals gone, it’s an amazing performance.

Musician Billie Eilish applies her resounding jazz vocals to Michael Jackson’s 1987 hit Bad, with this smooth and soulful reinterpretation. We have little doubt that this will turn up in a movie trailer as some character walks away from a giant explosion or some other badass move.

Musician Amine Ayadi performs the strangest cover version of a Michael Jackson song ever – They Don’t Care About Us played on the mizwad – a middle eastern bagpipe. His performance will pull you in regardless if the instrument sounds like a goat being strangled.

Musician Douglas Borsatti cranks out a wonderful and unique cover version of the King of Pop’s 1982 uber-hit on his squeezebox. If Michael Jackson performed while strolling the streets of Paris wearing a beret, we imagine this is what his music might have sounded like.

Back in 1995, Michael Jackson asked someone at Sony Music to explain how Compact Discs were manufactured, so they put together this factory tour video just for him, while producing his album History. It’s a fun time capsule, and a perfectly awkward corporate video.

(PG-13: Language) Zveki put together this fantastic mashup of music from Phil Collins, Michael Jackson, and The Weeknd. The track blends together Starboy, In the Air Tonight, and They Don’t Care About Us, resulting in They Don’t Care About the Starboy in the Air.