Awesome Keanu Reeves

After freeing humanity from the machines, Thomas Anderson finds himself in a familiar scenario – but in a slightly different world. Eventually, Neo finds Trinity and they must work together to tear down this new and improved version of The Matrix. The Matrix: Resurrections hits theaters and HBO Max on 12.22.21.

Remember the part of The Matrix where Neo took the red pill? What if he took the blue pill instead? Ctrl Shift Face and VFX artist Chris Ume make us wonder no longer, with the help of some deepfake tech. If the concept seems familiar, you might recall this mashup. VFX breakdown and comparison clip here.

As The Matrix 4: Resurrections kicks off, Neo and Trinity find themselves caught in the illusion of The Matrix. But it’s not long before they find their reality is not what it seems and must learn to fight for humanity’s freedom once again. Coming to HBO Max and theaters on 12.22.2021.

“You know when I don’t ride a motorcycle I go through withdrawal. It’s not good for my health.” An enthusiastic Keanu Reeves let GQ into the headquarters of his motorcycle company to talk about his personal bikes, what he loves about riding and more.

Keanu Reeves plays a diamond merchant in this action thriller. The protagonist travels to Russia to sell diamonds, but his wares turn out to be as questionable as his new clients. Things get complicated when he falls in love with a local.

(PG-13: Language) Ever since John Wick, Keanu Reeves is one of our favorite badasses. But he was also half of Bill & Ted, shooting at nothing in Point Break, maintaining Speed, and learning instant Kung Fu in The Matrix. Burger Fiction recaps Keanu’s illustrious career. Whoa.

“I’m not that guy anymore.” “You’re always that guy.” First they killed his dog. Now they uh, just want to take over the world. John Wick comes out of retirement again because of a more stereotypical premise, but hopefully more smart action as well.

(PG-13: Language, Gore) Chainsawsuit Original presents John Wick – which was marketed as a flick with an absurd premise and flashy action – as a well-rounded project about grief that also bids goodbye to an era of action movies while seeming to be a mere continuation of it.