Some everyday items can make unwanted noises while filming movies and TV shows. Editors can fix some things in post-production, but it’s preferable to capture clean audio on set. Insider explains how prop artists create versions of objects like ice cubes, pool balls, and paper bags to reduce amount of noise they make.
Joe Dante is the moviemaker behind 1980s classics like Innerspace, Gremlins, and The Howling. As Dante delved deeper into the Hollywood system, the battle for creative control escalated. The Royal Ocean Film Society explores the filmmaker’s tumultuous relationship with the studios. Also, go watch Gremlins 2 right now.
This short documentary takes us inside of Footsteps Studio, a unique post-production studio in the countryside of Ontario, Canada, where a group of talented foley artists spends their days creating sound effects for movies, TV, and video games. We love how every room in the house has been wired for recording sound.
There are lots of movie scenes that incorporate mirrors or other reflective surfaces, yet we can’t see the camera or the crew in them. Just how does this movie magic work? Film essayist Paul E.T. digs into some of the tricks that filmmakers use to keep equipment and people hidden from shots.
(PG-13: Gore) From greenscreen to miniatures to CGI, there are lots of different ways to produce visual effects. Filmmaker and essayist David F. Sandberg reminds us how simple edits can be one of the most effective ways to create illusions on screen and to integrate disparate elements to create a cohesive effect.
It may seem like a subtle artistic choice at first, but some of the best movie scenes take advantage of a principle known as the “Three Color Rule.” Film essayist wolfcrow explains how this simple color theory can help to set a mood and create focus, and how you can apply it in your cinematic projects.
Directors and writers seem to get most of the credit when it comes to filmmaking. But there are many other critical players required to create a quality movie, not the least of whom are film editors. Now You See It celebrates the work of Dede Allen and other influential women editors.
(PG-13) Film essayist The Discarded Image explores one of director Stanley Kubrick’s many techniques – the strategic use of tight shots to accentuate a character or story’s most pivotal moments. While most directors use close-ups, Kubrick was a true master of this primitive filmmaker’s tool.