There are lots of movie scenes that incorporate mirrors or other reflective surfaces, yet we can’t see the camera or the crew in them. Just how does this movie magic work? Film essayist Paul E.T. digs into some of the tricks that filmmakers use to keep equipment and people hidden from shots.
(PG-13: Gore) From greenscreen to miniatures to CGI, there are lots of different ways to produce visual effects. Filmmaker and essayist David F. Sandberg reminds us how simple edits can be one of the most effective ways to create illusions on screen and to integrate disparate elements to create a cohesive effect.
It may seem like a subtle artistic choice at first, but some of the best movie scenes take advantage of a principle known as the “Three Color Rule.” Film essayist wolfcrow explains how this simple color theory can help to set a mood and create focus, and how you can apply it in your cinematic projects.
Directors and writers seem to get most of the credit when it comes to filmmaking. But there are many other critical players required to create a quality movie, not the least of whom are film editors. Now You See It celebrates the work of Dede Allen and other influential women editors.
(PG-13) Film essayist The Discarded Image explores one of director Stanley Kubrick’s many techniques – the strategic use of tight shots to accentuate a character or story’s most pivotal moments. While most directors use close-ups, Kubrick was a true master of this primitive filmmaker’s tool.