THE BEST Bluegrass

Ain’t nothin’ but a heartache. The Backstreet Boys track I Want It That Way gets a new sound courtesy of The Petersons, who transformed the 1999 boy band hit into a twangy bluegrass song, complete with the requisite fiddle, banjo, upright bass, and steel resonator guitar.

Performing under the name Goat Rodeo, musicians Yo-Yo Ma, Stuart Duncan, Edgar Meyer, and Chris Thile turn in a wonderfully stripped-down performance that combines elements of jazz, bluegrass, country, folk, and classical music. Vocalist Aoife O’Donovan accompanies the quartet for the final song “The Trappings.”

Once we rose above the noise and confusion, we came across this fun cover of the 1976 Kansas rock hit Carry on Wayward Son, played with way more squeezebox, mandolin, banjo, and upright bass than the original. Performed energetically by the Finnish bluegrass band Steve’n’Seagulls

YouTube channel There I Ruined It is in the business of messing with popular songs and, well, ruining them by covering them in a totally inappropriate style. Their bluegrass reworking of Michael Jackson’s “Bad” is so wrong that it’s right. We also chuckled at their swing version of Nirvana’s “Come As You Are.”

Alt-bluegrass band Keller Williams & The Keels‘ latest album features some great, jangly cover versions of classic tracks from Weezer, Presidents of the United States of America, The Doors, Ricky Martin, and Fiona Apple, among others. Let’s kick things off with a little Hash Pipe.

There are a zillion covers of Billie Eilish’s hit Bad Guy out there, but we’re going to have to give our vote to Dan Davidson’s group DD and the Butterlovers and their bluegrass version. We have no idea what the deal is with their outfits, but we still say “yee-haw!”

Ah, there’s nothing quite like a Finnish bluegrass band performing a Lenny Kravitz song in a French street corner restaurant. So sit back, crank up the volume, and enjoy as Steve ‘n’ Seagulls gives the 1993 hit Are You Gonna Go My Way a fresh new sound.

We like to imagine David Hasselhoff pulling up in a rusted out old jalopy (with an LED light bar on front) as the visual accompaniment to Banjo Guy Ollie’s awesomely bluegrassified cover of the familiar theme from Knight Rider.

Jump back, what’s that sound? It’s a banjo and an upright bass! The bluegrass wizards of Finland’s Steve ‘n’ Seagulls turn in another insanely delightful cover, this time taking on Van Halen’s hit Panama with their trademark rapidfire twang.

We’ve heard more than a few of cover versions of a-ha’s 1985 hit Take on Me, and now we can add bluegrass to the list. The guys from My Brother’s Keeper do the track proud with their jangly sounds and layered harmonies. Bonus points for hitting that impossibly high note.

We’ve heard a few interesting cover versions of Toto’s Africa, but we’re particularly enamored of the jangly and twangy country sounds of Doug and Cletus as their band turns in a catchy bluegrass arrangement of the 1982 pop hit.

Redditor rrizing’s girlfriend stumbled onto some video of her old middle school teacher, Steve Messenger, who turned in what might be the greatest performance of Snoop Dogg’s Gin and Juice ever made. His YouTube channel is packed with more perfect covers.

Actor, comedian, writer, and musician Steve Martin is joined by the talented members of the Steep Canyon Rangers for a captivating four-song set of country and bluegrass melodies in NPR’s amazing and personal concert venue. The tracks are all from The Long Awaited Album.

Musician “The Little Strummer Boy” and vocalist pal Kurt Grunsky performed a great cover version of R.E.M.’s 1991 hit Losing My Religion with a twangy country/bluegrass vibe. We always pictured this song with being played on the banjo for some reason.

A folksy, bluegrassy, and wonderfully fun cover version of Modest Mouse’s Float On, performed by the perfectly named Diablo Sandwich and the Dr. Peppers at Athens, Georgia hole in the wall The Lost Mirror.

A slightly more toned down and twangy version of Ozzy Osbourne’s metal classic, performed live by bluegrass band Iron Horse, accompanied by Orchestra Sul Ponticello. From the album Black & Bluegrass.

We’ve heard Steve ‘N’ Seagulls amazing bluegrass cover version of AC/DC’s Thunderstruck, but during an episode of A.V. Undercover they proved they were no one-hit wonder, with this equally unexpected and entertaining cover of Sabotage.

Branson, Missouri performers Paul Harris and The Cleverlys turn in a twangy bluegrass cover version of Beck’s 1994 alternative anthem Loser. Get crazy with the Cheez Whiz.

Musician Samurai Guitarist created this unusual, but somehow just right cover version of the familiar Russian style theme song from the arcade classic, Tetris. We just wanted to shout Rawhide! at the end.

The elder statesman of musical comedy proves he’s still got it, as he shows off his youthful exuberance at the age of 89, dancing with his wife Arlene to the jazz-infused bluegrass sounds of The Dustbowl Revival’s track Never Had to Go.

The guys from bluegrass band Iron Horse are back with an unexpected and finger-pickin’ good cover version of Elton John’s classic Rocket Man. Our next request: Ozzy Ozbourne’s Crazy Train. Oh, never mind. (Thanks for finding that, Namu!)

The moment that you hear the first twang from the banjoist of Finnish bluegrass group Steve ‘N’ Seagulls as he furiously plucks out the familiar opening riff of the standard in AC/DC you know you’re about to be Thunderstruck.

Our fingers always got all tangled up when trying to play Enter Sandman on Rock Band, but that doesn’t seem to be a problem for the musicians of Iron Horse, who gave the Metallica classic a shiny coat of Bluegrass paint.

Mustered Courage breathes new life into Seal’s hit track from… ehm… Batman Forever, and puts their own unique spin on it with a country twang, two acoustic guitars and a little banjo and mandolin on the side.

We know the new record is out, but take a trip down memory lane and remember why you still love Daft Punk when you hear the Seven Handle Circus perform their string-laden bluegrass rendition of One More Time. (Thanks Brandon!)

In the midst of a live performance of Mordecai, bluegrass singer Josh Williams is joined by a flying friend who decides his guitar would make a pretty nice birdhouse. At least it wasn’t this guy.