Awesome Vfx

There are millions of trick shot videos on YouTube (and we’ve featured our share of them.) Now, Captain Disillusion is here to burst our bubble – and all of those basketballs, footballs, tennis balls, and golf balls, as he shows us some of the tricks of the trade.

(Gore) These guys may have the world’s smallest guns, but that doesn’t stop them from throwing down. Corridor’s silly, but action-packed short reminds us that it’s not the size of your weapon, but the way that you use it.

Vehicle maker Honda and a team of talented artists pay tribute to the creativity and effort that goes into the production of modern motion pictures, peeling back the layers of the visual effects onion, and reminding us how little of what we see on screen these days is real.

Fernando Livschitz of Black Sheep Films messes with our expectations by swapping out everyday sights with wacky, unexpected, and downright impossible versions. We love the stubby airplanes and the two-wheeled buses.

“Who took these?” A couple has an intense argument. And it’s all because of you. Or at least someone you know. Director Noah Levenson’s customizeable short film uses photos from an Instagram account of your choice. Choose wisely.

YouTuber Buttered Side Down used an array of clever editing, camera tricks, and VFX to make his first-person quest for his lost frisbee far more daunting than it really was. The only thing better than this would be a VR version of the video.

Captain Disillusion takes on yet another internet myth – this time its the guy who claims to be able to aim his tape measure with the precision of a crossbow. With the help of a fan, he yet again illustrates how VFX, camera angles, and editing can make anything believable.

A titan from the game Destiny stumbles onto its most horrific adversary yet – cute, cuddly, and deadly Care Bears. Freaking Rad’s video offers up cool weapons, comedy, cosplay, action, and VFX. (Thanks Grey!)

(Gore) Kaptainkristian highlights what David Fincher so deftly hides: the director’s extensive use of CGI and other digital effects in his films. From the Winklevoss twins to digitally perfected hair, Fincher stealthily bends reality in service of the story.

A battery that lights up. An outlet that’s a plug. A pill that’s a screw. Daihei Shibata has an ongoing series of short VFX videos that show ordinary objects with a twist. They originally aired in a Japanese industrial design show for kids called Design Ah!

The guys from Corridor have a little fun with shadowplay in this clip about a couple of graffiti artists who get more than they bargain for when they try to tag the wrong building. TL;DW: kids, don’t use spray paint.

While we don’t normally think of Saturday Night Live for its visual effects, the show actually requires quite a few of them these days. Take a look at some of the work their VFX artists must deliver under the gun each week, often with less than 12 hours before airtime.

Launched in 1997, the Cassini space probe has been providing NASA with data about Saturn and the moon since 2004. It’s now running out of fuel. Erik Wernquist made this excellent CGI short film to sum up Cassini’s contributions and its final mission.

A report on the plight of visual effects artists. While a single actor can get millions of dollars for a film, VFX studios compete with each other for fixed bid contracts that often end up being unprofitable because of additional expenses from costly revisions. More here.

Want to stage a massive battle, fill an empty stadium, or take on a zombie horde? There was a time that you’d need thousands of extras to pull off such epic scenes, Golaem shows us some of the ways their software has been used to make movie, TV, and video game magic.

Effects house Framestore walks us through some of the 365+ insane and trippy visual effects sequences it created for Doctor Strange. Were Benedict Cumberbatch and Mads Mikkelsen even in this movie, or were they just their digital doubles?

These days, much of what we see on screen wasn’t there at the time of filming. This short video by Roy Peker explains how techniques such as green screen, rotoscoping, matchmove, CGI, and color grading can place actors and objects anywhere without ever being there.

McClatchy Video Lab’s documentary explores one of the nastiest secrets of the movie business, that visual effects studios and artists are often forced to work ridiculous hours, often at fixed bid pricing to meet unrealistic demands of movie studios. Premieres online on 2/22/17.

Visual effects company Oblique FX share some of the work that they did for Denis Villeneuve’s excellent sci-fi film Arrival. Naturally, the spaceships were computer-generated, but we weren’t expecting the freakin’ grass to be virtual as well.

An up-close look at a rig built for the stop-motion film Two Balloons. The animators used an intricate network of strings and push rods to move dozens of shiny plastic layers to create the undulating waves of an ocean. The trailer for the film looks amazing.

YouTuber Snake Buddies gathered and edited videos of peacock spiders from fellow YouTuber Peacockspiderman to make it seem like the Casanovas of arachnids were partaking in the Holiday spirit. The snowspiderman is somehow both cute and creepy.

(PG-13) Contemplating suicide, a man with cannibalistic tendencies remembers the defining moments of his life. Director Nina Gantz’ award-winning stop-motion short is creepy yet tender, and filled with visual and emotional juxtapositions.

For his latest video, Devin Supertramp replicated the classic speeder bike chase from Return of the Jedi – but instead of flying precariously between giant redwoods, they did the stunt on water, using specially modified Jetovator jetpacks. Duct tape ftw.