Awesome Mashups

What happens when your Lovely Day is Good as Hell? We imagine it sounds something like this excellent musical mashup by the guys from Pomplamoose, who managed to seamlessly combine the Bill Withers classic with Lizzo’s 2019 pop megahit into one delightfully upbeat tune.

Sadly, it’s an impossibility now, but what would have happened if James Brown had joined Lemmy and the band on stage during a Motörhead concert? Well, thanks to mashup artist Bill McClintock, we need wonder no longer. So crank up your volume to 11, and rock out with the Godfather of Soul and the Master of Metal.

Control yourself, take only what you need from the 21st day of September. Remix artist William Maranci performed a wild combo maneuver with this track, which seamlessly mashes up MGMT’s Kids with Earth, Wind & Fire’s September.

Imagine for a moment that the toys in the Toy Story franchise weren’t alive in the way Pixar wants us to believe they are, and instead are synthetic hosts created by the Delos Corporation. Nico Bellamy shares that vision with us in his hilariously dark mashup trailer of Toy Story and Westworld.

Things get really, really strange as the world of Mortal Kombat is invaded by 1990s one-hit wonder Scatman John. Mashup maker DJ Cummerbund’s music video is equally as insane as the musical combination, which manages to bake in some Spice Girls and Nirvana for good measure.

What happens when Nelly meets up with Queen? In the hands of musical mashup artist DJ Cummerbund, strange magic, that’s what. Though things start going off the rails when the track starts running backwards at the end.

Editor Ariel Avissar offers up the perfect bite-sized video morsel, seamlessly mashing up scenes of Inigo Montoya from The Princess Bride with Eminem’s 1999 hit My Name Is. The Six-Fingered Man better watch out, that’s all we’re saying.

(PG-13: Language) Editor Sleepy Skunk recently bestowed us with his regular end-of-year movie trailer mashup. But since it’s the end of a decade, he decided to do one better, and put together this epic and emotional montage of movie moments from the past 10 years as a bonus. How many of these movies did you see?

Everybody’s rockin! Get up! Everybody’s gonna move their feet! Remix artist DJ Cummerbund brings us another unlikely pairing: KISS and The B-52s, two groups at their peak of popularity around the same time, but each with something very different to bring to the table.

Celebrate the holidays with some Slayer, courtesy of mashup artist Andy Rehfeldt, who combined the devilish vocals from their track Angel of Death with the upbeat 80s synth-pop of Wham!’s holiday classic Last Christmas.

Just because two foods can be combined doesn’t mean it should be done. But Good Mythical Morning’s series Snack Smash does just that all the time. In this clip, host Josh Scherer managed to make Pop-Tarts that taste like Flamin’ Hot Cheetos, and we got heartburn just looking at the video.

(PG-13) Editor Sleepy Skunk is back with his annual supercut of movie trailers, paying tribute to the the wide range of cinema splashed up on screens of all sizes over the course of 2019. Like every year, there were some greats and some stinkers, but the trailers inevitably thrill. Keep an eye on his Tumblr for the full list of films.

Caio Rossi of R3DUX Studios cut together this great mashup of clips from The Simpsons, set to Pink Floyd’s 1979 classic Comfortably Numb. The Portuguese subtitles somehow make it feel even more like a depressing foreign film. His Simpsons x Futurama version of the band’s Time is also worth a watch.

Musical mashup maestro Bill McClintock issues his apologies in advance for this hilariously weird melding of The Spice Girls and Slipknot, with a dash of The Black Crowes tossed in for extra seasoning. All we really want is to zig-a-zig-aaaaaaarrrrgh.

After taking us back in time to 1979, The Hood Internet dips their toe into the decade of big hair, Pac-Man and Rubik’s Cubes. As the 1980s kicked off, the transition to new wave and power pop is in full force, but disco isn’t quite ready to give up the fight.

This awesome clip from The Hood Internet rewinds time 40 years to one of the most notable moments in the history of music, combining 50 of the biggest songs of 1979 into one monster mashup. The year was was one of transition, as disco’s glimmer started to fade, giving way to new wave, punk, rap, and a rock resurgence.

Pomplamoose presents another fantastic arrangement as lead singer Nataly Dawn is joined by Sarah Dugas for this mashup that combines The Eurythmics Sweet Dreams and The White Stripes Seven Nation Army. Between the funky rhythms and soulful vocals, it’ll have you dancing at your desk for sure.

Editor Zapatou combined scenes from 25 science fiction classics including Gravity, The Martian, 2001: A Space Odyssey, Moon, Apollo 13, Aliens, The Empire Strikes Back, Star Wars and more into a single movie where everything that can possibly go wrong does.

Musical musician Bill McClintock once again works his wizardry, combining two songs that you’d never expect to work together into one song that does. Listen up and enjoy as Dire Straits’ Money for Nothing melds brilliantly with Smokey Robinson and the Miracles’ Shop Around.

Lewis Wake has taken a variety of clips from movies, and swapped out the music with other songs that play at a similar number of beats per minute. Some of our favorites are Back to the Future with Beastie Boys, Napoleon Dynamite’s dance with Cher, and Blues Brothers with Kaiser Chiefs.

The consistently entertaining and enthralling Pomplamoose presents a fun recording that seamlessly blends Smash Mouth’s unkillable hit All Star with the Red Hot Chili Peppers’ tracks Can’t Stop and Californication. That opening bass riff is still one of the best ever.

Remix artist Entyme mashed up Queen’s 1984 stadium anthem Radio Ga Ga with Lady Gaga and Bradley Cooper’s Oscar-winning track from A Star Is Born, combining two epic tracks into one, then accompanied them with a completely nonsensical video.

Mashup master Bill McClintock managed to combine the funky bassline and guitar riffs of David Bowie’s Fame with the rough-edged metal vocals of Pantera’s 5 Minutes Alone. The resulting track is like watching a spectacular accident that you can’t look away from.