Awesome Cgi

This way-too-short film from Yeti Pictures and director Tony Zagoraios features a series of miniature vignettes inspired by classic movie scenes, including The Exorcist, King Kong, Jurassic Park, and more. The animation and modeling team did a great job making it look like it was filmed with models and action figures, but it’s all CGI.

There’s a whole sub-genre of YouTube videos featuring various objects being jammed into industrial shredders. Atomic Marvel went to the extreme and stuck the entire sun into a shredder to see what would happen. We’re surprised it didn’t melt the machine as soon as it hit the gears with its 10,000-degree surface temperature.

Whether you’re a snail or a gazelle, you must move around to survive in this world. In the latest comparison video from RED SIDE, they animated the vast differences in the movements of all kinds of animals, from ants to elephants and everything in between. Watch it in 4K if you’ve got the bandwidth, and find out if a human can outrun a hippo.

Created by writer and director SouthernShotty, this family-friendly animated short film tells the story of a girl born from a watermelon seed in the belly of a fallen King. But instead of following the same selfish path of her maker, she’s sent on a quest for a new home and a journey of self-discovery. (Thanks, Rob!)

For his latest 3D challenge, Clinton Jones, aka Pwnisher, asked CG artists to create scenes based on a template of a character climbing a curved staircase. After receiving 2800 entries from around the world, here are the top 100 renders edited together to create a seemingly endless climb, set to music by Feverkin. It’s hard to choose a favorite interpretation.

This charming animated short by 16-year-old CG artist John Torres looks at a day in the life of a robotic farmer as it patiently waits to harvest vegetables to put into a pot of homemade soup. John says his film “highlights the virtues of perseverance, mindfulness, and the joy that can be found in the simplest of tasks.” Created with Blender.

Season two of Loki featured one of the nastiest torture devices imaginable. The TVA’s Time Cube shrinks around its subjects until they relent – or die a horrific, squishy death. While Disney+ was relatively tame depicting the prison box’s wrath, Atomic Marvel scratches the itch for more, using a human avatar made up of thousands of tiny particles.

When it comes to missiles, there are three critical factors: range, speed, and accuracy. RED SIDE’s latest comparison video simulates various kinds of missiles to see which ones are the slowest and fastest to reach their target. The video starts with a drag race, followed by a launch-stage-flyby sequence, a range demonstration, and finally, a size comparison.

MetaBallStudios is usually comparing the sizes of things, but in this wild video, they created a CG simulation of what might happen if the moon took aim at Earth, affected its gravity, and eventually collided with it. The destruction isn’t based on scientifically-accurate calculations, but it sure looks terrifying.

It’s easy to take the high-fidelity 3D graphics in today’s video games for granted, but a lot of artistry, hardware, and software goes into every frame you see on screen. Branch Education provides an in-depth yet understandable explanation of the processes and technology at work when rendering video game graphics.

This science fiction short film tells an original story while demonstrating what’s possible with state-of-the-art computer graphics. Oscar-winning VFX artist Tim Webber of Framestore used Unreal Engine to create FLITE, which follows the story of a woman imprisoned in her hi-rise apartment building and the stranger who helps her make a daring escape from the tower.

Digital artist Erik Wernquist welcomes us to a planetary orbiter that rotates at 1 RPM to generate artificial gravity for its occupants. The luxurious environment inside looks like it could be a home away from home for über-rich visitors. However, devoid of people and bathed only in natural light, it takes on a haunting quality.

This animation features a monologue by a monster who was once an alchemist, expressing regrets after attaining the power he sought. Cory Williams of Daydream Studios wrote and directed the short film using Unreal Engine 5 and assets from the Unreal Marketplace. We love the design of Dary Palasky’s creature, Wasserman. (Thanks, Rob!)

RED SIDE used computer graphics generated in Unreal Engine 5 to simulate various human-made explosions. The video starts with the minimal impact of a small firecracker and culminates with the deadly force of Tsar Bomba, the most powerful atomic bomb ever detonated.

The data that Google Maps has amassed is pretty amazing. Bad Decisions Studio shows us how it’s possible to use the Google Maps API and Cesium to bring the power of its global data into Unreal Engine 5 to add your own lighting and make high-fidelity 3D renderings of any location on the planet.

Anyone who has worked with 3D graphics software knows about composing scenes with virtual cameras. Sirrandalot used Blender’s Cycles path-tracing engine to model a 3D camera body, simulate the optical properties of a film camera, then render scenes through its virtual lens. Check out the final not-photos on Imgur. (Thanks, Orion!)

VFX artist Teun van der Zalm takes us on an immersive journey through a simulated nebula formation. Thanks to modern graphics hardware and software, he created this striking visual from an incredible 15 billion particles illuminated with 250 virtual lights. Watch it in full screen in a dark room if you can.

Scientists estimate that roughly 20 quadrillion ants are marching around the planet. Then they said visualizing them all was “unimaginable. VFX artist Wren from Corridor accepted that challenge and came up with a way to generate a massive virtual ant pile. The 2.5 million ants-per-person ratio is gonna keep us up at night.

Digital artist and illustrator Markos Kay created this captivating short film that features surreal and otherworldly life forms that look like nothing we’ve ever seen before. They definitely look organic, though, combining elements of plants and animals. Markos’ Vimeo channel is loaded with many more strange beings.

This animated short film envisions Earth 100,000 years in the future. After changes in the environment and climate have left the planet ravaged, new lifeforms emerge from the primordial soup, adapting and evolving to thrive in a very different world than we know today. Directed and animated by Wang & Söderström.

Derealisation is a psychological condition that can cause individuals to feel disconnected and distant and may result in a distorted perception of the world around them. This trippy short film by Panoply attempts to capture that sense through a surreal sequence of images that play out in photorealistic environments.

With the help of Unreal Engine 5, Design by FEO created this realistic version of Rick’s garage and basement laboratory from Rick and Morty. The workshop is packed with fun easter eggs and sci-fi references. There’s something that feels so right that Rick’s voiceover was created by an AI-powered neural network.

James Cameron goes all-in on CGI and 3D with the long-awaited sequel to Avatar. The Way of Water follows the continuing story of the Sully family as Jake, Neytiri, and their children battle to keep each other safe against a new series of threats from those who wish to exploit their world. Expect lots of underwater action this time.